Use the grey clay reference video <video1> as the only reference for the camera: its movement, path, speed, shot-size changes, framing and blocking. Follow it exactly, frame for frame. Do not change the shot structure. Do not add cuts. The clay video governs camera only — it does not govern colour, material or appearance.

Use the reference image <image1> for everything that is seen: the man, his clothing, the grass field, the fence, hedgerow, trees and overcast sky, and the blue cone on the ground.

The scene is frozen in time — a bullet-time freeze-frame. 100% frozen physics, zero temporal movement anywhere in the environment. Infinite shutter. The man is arrested mid-delivery at front-foot contact: trunk tilted to his side as he aligns before the jump, bowling arm high, trail leg extended behind, front foot planted. His trunk angle and spine tilt are the subject of the shot and stay exactly as they are.

The camera alone travels, at normal speed, through the stopped world — a rapid orbital fly-around of a stationary point in space, exactly as the reference video describes. Ground, fence, trees and sky parallax correctly with the camera.

His face does not need to match the reference image and may stay soft and loosely defined; body shape, pose, clothing and the field are what must hold.

Photoreal, overcast late-afternoon light, matching the reference image's colour and grain.

Avoid: the subject moving, re-posing or continuing the delivery; grey clay or stone material on skin or fabric; the background sliding or dissolving; camera cuts; speed ramps; subtitles; logos; watermarks.
